Broadway Is My Beat_50-06-16_(039)_The Morris Bernstein Murder Case
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Description
The era of radio drama was a time when storytelling was a purely auditory experience, and "Broadway Is My Beat" was a shining example of this art form. Running on...
show moreThe show began with Anthony Ross voicing Detective Clover, bringing to life the gritty streets of New York during its first three months. However, it was Larry Thor who would become synonymous with the role for the remainder of the series. The atmospheric music by Robert Stringer and scripts by Peter Lyon set the tone for the dark and moody narratives that unfolded each week.
Directed by John Dietz and later produced by Lester Gottlieb, "Broadway Is My Beat" made a significant move from New York to Hollywood. This transition marked a new era for the show, with producer Elliott Lewis at the helm, introducing new scripts by Morton S. Fine and David Friedkin. The iconic opening theme, "I'll Take Manhattan," perfectly encapsulated the essence of Detective Clover's world, from Times Square to Columbus Circle.
The show was a collaborative effort, with music by Wilbur Hatch and Alexander Courage complementing the storytelling. The sound effects team, consisting of David Light, Ralph Cummings, and Ross Murray, played a crucial role in recreating the bustling soundscape of Manhattan.
The announcers, Bill Anders and Joe Walters, along with a supporting cast featuring Charles Calvert and Jack Kruschen, brought additional depth to the series. Notable guest stars from television, radio, and film graced the episodes, adding star power and variety to the show's roster.
"Broadway Is My Beat" remains a testament to the golden age of radio drama, showcasing the power of sound to transport listeners to another time and place. It serves as a reminder of the rich history of storytelling before the visual dominance of television and film. For those who yearn for the nostalgia of radio's heyday, "Broadway Is My Beat" is a timeless treasure worth revisiting.
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