We had the pleasure of interviewing Bad Omens over Zoom video.

Bad Omens slither through boundaries, only to ultimately choke convention in the process. The quartet—Noah Sebastian (vocals), Joakim “Jolly” Karlsson (guitar), Nick Ruffilo (bass), and Nick Folio (drums)—materialize with ghostly atmospherics, striking hooks, and the tingles of sensual high-register harmonies uplifted by cinematic production. Racking up over 250M worldwide streams to date and earning acclaim, the band presents an uncompromising and undeniable vision on their third full-length album, 'THE DEATH OF PEACE OF MIND' (Sumerian Records).

The group’s 2016 self-titled debut, 'Bad Omens', yielded fan favorites such as “Glass Houses” and “The Worst In Me” which eclipsed nearly 25 million Spotify streams. On its heels, 2019’s 'Finding God Before God Finds Me' spawned “Dethrone” (13 million Spotify streams) and “Careful What You Wish For” (10 million Spotify streams). Along the way, they toured with numerous marquee acts and received tastemaker praise.

After their first headline tour was canceled mid-way at the top of the global pandemic, the band found themselves at home in Los Angeles with plenty of time. Where they absorbed and imparted a different palette of unexpected inspirations. Channeling what the frontman describes at times as a “cursive sound” they embraced newfound confidence and boundlessly loose creativity. Anything went in the studio, and all “rules” were broken. Noah and Jolly wrote, produced, and engineered the music themselves while GRAMMY® Award-nominated producer and songwriter Zakk Cervini (Halsey, Grimes, Poppy, blink-182) lent his talents with the mix and master. Challenging himself, Noah decided to “make a track sampling items around the house, none of which were musical instruments”.

This ultimately became the framework for the first single “THE DEATH OF PEACE OF MIND”. Claps puncture the icy soundscape as his voice stretches from a breathy moan into an evocative and entrancing hook, breaking from a whisper into the seductive chant, “It wasn’t hard to realize. Love’s the death of peace of mind.” It culminates on a climactic scream uplifted by a distorted crunch.

By speaking it aloud, Bad Omens offer a level of comfort and empathy, with a sinister shroud. At the same time, they also give rock music a sexy new shape on 'THE DEATH OF PEACE OF MIND'.

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