Wendy James' musical career has mirrored the life of many of her fans. From the rebellious punk stage to the seasoned, reflective artist, James has endured a lifetime of music many in the profession only dream of.
Starting with the wildly successful, provocative and infectious Transvision Vamp in the 1980s - a band who oozed anarchaic intent coupled with a sexuality that would be frowned upon today - and moving through to her current solo career, James has always maintained a strong sense of worth and self belief. Professionally and personally.
While her music has understandably gone through the subtle nuances of time and the public image might not be as openly flirtatious, James maintains a youthful exuberance that sees her release her tenth album The Shape Of History on October 25.
James joined HEAVY earlier this week for a chat about life, music and art.
"There is a consistency to my songwriting," she measured when asked to delve into the musical nature of The Shape Of History. "I often say that my comfort zone is that CBGB/Max's Kansas City, mid 70s to late 70s downtown new wave punk sound that the Americans did. Even though I grew up with the English punks, it's actually that grimy New York downtown scene that I really enjoy. So there's always that in all of my albums, but The Shape of History is an expanded outlook and sound. All of my albums have experimentation, but they go off. So maybe there's a little country. Maybe there's a little blues. Maybe there's a little bit of girl pop, and this album, if it's got anything that marks it different to the albums, is the fact there's a bit of California sound in there as well. And it's called The Shape Of History because it is my tenth album and I did start when I was a teenager in 1986 and so you can chart the course of my life through all the albums I've made, and therefore you've got a shape of history."
In the full interview, Wendy discussed her collaboration with Australian photographer and editor, David Lee Dodd, who condensed 48 hours of old Transvision Vamp footage into a 3.5-minute music video. She also talked about her album, The Shape of History, which starts with a beautifully ambient piano intro for the track Sweet Like Love. Wendy explained that she wanted to create a musical interlude, similar to the opening of Woody Allen's movie Manhattan, and worked with Dave Sherman to achieve this. We spoke about her history and music and how the two merge together, the changing musical landscape, her upcoming instore appearances, future tours and more.