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Embark on a journey into the craft of storytelling with this engaging podcast dedicated to the art of novel writing. Each episode features a new complete audiobook that delves into...
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Embark on a journey into the craft of storytelling with this engaging podcast dedicated to the art of novel writing. Each episode features a new complete audiobook that delves into the intricacies of character development, plot construction, and the myriad techniques that elevate prose from simple words to captivating narratives. This is not a single story but a series of unique explorations that illuminate the diverse paths aspiring writers can take to hone their skills. Listeners are invited to immerse themselves in the wisdom of seasoned authors and insightful guides, discovering the essential elements that contribute to a compelling tale. With every episode, you will uncover fresh perspectives on the writing process, inspiring creativity and encouraging the growth of your own storytelling abilities. Join us to deepen your understanding of novel writing and ignite your passion for crafting unforgettable stories.
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Episodes & Posts
Episodes
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12 SEP 2026 · "Station Life in New Zealand" by Mary Anne Barker offers a vivid portrayal of life on a New Zealand station, capturing the unique experiences and challenges faced by those who inhabit this remote landscape. Through her insightful observations, Barker paints a picture of the rugged beauty and the social dynamics of station life, making it a timeless exploration of resilience and community. This audiobook is worth hearing now as it resonates with themes of connection to the land and the importance of human relationships in the face of adversity. Barker's eloquent narrative invites listeners to reflect on their own lives and the enduring spirit of those who forge their existence in challenging environments.
27 AUG 2026 · I address myself to the man or woman of talent—those people who have writing ability, but who need instruction in the manipulation of characters, the formation of plots, and a host of other points with which I shall deal hereafter. Although no school could turn out novelists to order there is yet enough common material in all art-work to be mapped out in a course of lessons. I shall show that the two great requisites of novel-writing are (1) a good story to tell, and (2) ability to tell it effectively. Briefly stated, my position is this: no teaching can produce "good stories to tell," but it can increase the power of "the telling," and change it from crude and ineffective methods to those which reach the apex of developed art. - Summary from the preface
26 AUG 2026 · I address myself to the man or woman of talent—those people who have writing ability, but who need instruction in the manipulation of characters, the formation of plots, and a host of other points with which I shall deal hereafter. Although no school could turn out novelists to order there is yet enough common material in all art-work to be mapped out in a course of lessons. I shall show that the two great requisites of novel-writing are (1) a good story to tell, and (2) ability to tell it effectively. Briefly stated, my position is this: no teaching can produce "good stories to tell," but it can increase the power of "the telling," and change it from crude and ineffective methods to those which reach the apex of developed art. - Summary from the preface
25 AUG 2026 · I address myself to the man or woman of talent—those people who have writing ability, but who need instruction in the manipulation of characters, the formation of plots, and a host of other points with which I shall deal hereafter. Although no school could turn out novelists to order there is yet enough common material in all art-work to be mapped out in a course of lessons. I shall show that the two great requisites of novel-writing are (1) a good story to tell, and (2) ability to tell it effectively. Briefly stated, my position is this: no teaching can produce "good stories to tell," but it can increase the power of "the telling," and change it from crude and ineffective methods to those which reach the apex of developed art. - Summary from the preface
24 AUG 2026 · I address myself to the man or woman of talent—those people who have writing ability, but who need instruction in the manipulation of characters, the formation of plots, and a host of other points with which I shall deal hereafter. Although no school could turn out novelists to order there is yet enough common material in all art-work to be mapped out in a course of lessons. I shall show that the two great requisites of novel-writing are (1) a good story to tell, and (2) ability to tell it effectively. Briefly stated, my position is this: no teaching can produce "good stories to tell," but it can increase the power of "the telling," and change it from crude and ineffective methods to those which reach the apex of developed art. - Summary from the preface
23 AUG 2026 · I address myself to the man or woman of talent—those people who have writing ability, but who need instruction in the manipulation of characters, the formation of plots, and a host of other points with which I shall deal hereafter. Although no school could turn out novelists to order there is yet enough common material in all art-work to be mapped out in a course of lessons. I shall show that the two great requisites of novel-writing are (1) a good story to tell, and (2) ability to tell it effectively. Briefly stated, my position is this: no teaching can produce "good stories to tell," but it can increase the power of "the telling," and change it from crude and ineffective methods to those which reach the apex of developed art. - Summary from the preface
22 AUG 2026 · I address myself to the man or woman of talent—those people who have writing ability, but who need instruction in the manipulation of characters, the formation of plots, and a host of other points with which I shall deal hereafter. Although no school could turn out novelists to order there is yet enough common material in all art-work to be mapped out in a course of lessons. I shall show that the two great requisites of novel-writing are (1) a good story to tell, and (2) ability to tell it effectively. Briefly stated, my position is this: no teaching can produce "good stories to tell," but it can increase the power of "the telling," and change it from crude and ineffective methods to those which reach the apex of developed art. - Summary from the preface
21 AUG 2026 · I address myself to the man or woman of talent—those people who have writing ability, but who need instruction in the manipulation of characters, the formation of plots, and a host of other points with which I shall deal hereafter. Although no school could turn out novelists to order there is yet enough common material in all art-work to be mapped out in a course of lessons. I shall show that the two great requisites of novel-writing are (1) a good story to tell, and (2) ability to tell it effectively. Briefly stated, my position is this: no teaching can produce "good stories to tell," but it can increase the power of "the telling," and change it from crude and ineffective methods to those which reach the apex of developed art. - Summary from the preface
20 AUG 2026 · I address myself to the man or woman of talent—those people who have writing ability, but who need instruction in the manipulation of characters, the formation of plots, and a host of other points with which I shall deal hereafter. Although no school could turn out novelists to order there is yet enough common material in all art-work to be mapped out in a course of lessons. I shall show that the two great requisites of novel-writing are (1) a good story to tell, and (2) ability to tell it effectively. Briefly stated, my position is this: no teaching can produce "good stories to tell," but it can increase the power of "the telling," and change it from crude and ineffective methods to those which reach the apex of developed art. - Summary from the preface
20 AUG 2026 · I address myself to the man or woman of talent—those people who have writing ability, but who need instruction in the manipulation of characters, the formation of plots, and a host of other points with which I shall deal hereafter. Although no school could turn out novelists to order there is yet enough common material in all art-work to be mapped out in a course of lessons. I shall show that the two great requisites of novel-writing are (1) a good story to tell, and (2) ability to tell it effectively. Briefly stated, my position is this: no teaching can produce "good stories to tell," but it can increase the power of "the telling," and change it from crude and ineffective methods to those which reach the apex of developed art. - Summary from the preface
Embark on a journey into the craft of storytelling with this engaging podcast dedicated to the art of novel writing. Each episode features a new complete audiobook that delves into...
show more
Embark on a journey into the craft of storytelling with this engaging podcast dedicated to the art of novel writing. Each episode features a new complete audiobook that delves into the intricacies of character development, plot construction, and the myriad techniques that elevate prose from simple words to captivating narratives. This is not a single story but a series of unique explorations that illuminate the diverse paths aspiring writers can take to hone their skills. Listeners are invited to immerse themselves in the wisdom of seasoned authors and insightful guides, discovering the essential elements that contribute to a compelling tale. With every episode, you will uncover fresh perspectives on the writing process, inspiring creativity and encouraging the growth of your own storytelling abilities. Join us to deepen your understanding of novel writing and ignite your passion for crafting unforgettable stories.
show less
Information
| Author | Westerns Genre |
| Organization | Westerns Genre |
| Categories | Books , Fiction , Drama |
| Website | - |
| spreaker90@podcastlibrary.org |
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